This is a remake of a 1958 movie, which
in turn was based on a novel that was written in 1956. Now, I've not
seen the earlier movie or read the book, but after watching this version
I am very tempted to check them both out, such was the impact of this
movie.
Set in the 19th Century, The Ballad
of Narayama is set in a small village in the Japanese mountains, where
due to the extreme conditions and remote location any villager that
reaches 70 years of age is taken to the mountain and left to die. It
sounds a little harsh, but it is a tradition that has gone on for generations
in order to appease the mountain god and to help keep the supplies of
food up.
The main focus of this story is Tatsuhei
(Ken Ogato) and his mother Orin, whom is 69 years old, and is getting
herself ready for the journey to the mountain. Although appoaching 70
she is in fine health, but would rather go now whilst she can, rather
than be dragged there later on. In the meantime though she finds it
in herself to help run the family as best she can. Her eldest son, and
head of the household Tatsuhei has a new wife, a younger son has a woman
that endeavours to bring shame on the family by bringing a thief into
their midsts and the second eldest son, whom by tradtion is not allowed
to marry is desperate to find a woman with which to sow his wild oats.
Orin helps with all of this, whilst in turn trying to convince her family
that she is indeed weakening and needs to leave the village.
As much as this is the focal point of
the movie it also follows the traditions and rituals of a group of people
so far removed from what we would call civilization. At times incredibly
brutal, life and death are seen far differently here, but also quite
humurous in places, not to mention relatively graphic in its depiction
of sex; graphic for mainstream Japanese cinema anyway.
The Ballad of Narayama is absolutely
beautifully shot from start to finish, every scene looks wonderful and
the attention to detail is astounding. This, along with a terrific score
and an emotional punch, especially the last half an hour or so, all
combine to make this a truly amazing movie.
The cast are universally terrific, but
special mention must go to Ken Ogato as Tatsuhei, who struggles with
the role of running his household, and Sumiko Sakamoto as Orin, who
quite frankly is excellent. The two of them carry the movie, and for
the last half an hour are the only two characters on screen, yet hardly
a word is spoken, but none of the power of the story is lost in a truly
emotional climax.
The Ballad of Narayama is most certainly
not going to appeal to everyone, but if Japanese movies are your thing,
or just movies with rich characters and storyline, then I recommend
you watch this. It truly is a fantastic, and ultimately uplifting slice
of cinema.
****
-Jude Felton