Yoshihiro Ishikawa’s female
swordplay classic Female Demon Ohyaku (1968) is definitely a
film to get excited about. It opens with a bridge and a sobbing
woman--never a good sign in a Japanese film. Wasting no time,
the woman attempts to fling herself and her small daughter into the
raging waters below. The daughter survives, but the audience knows
her life will be shrouded in shame. Mom was a big whore and her
daughter Ohyaku, played by the beautiful Junko Miyazono, grows up to
be a con-artist geisha, increasingly angered by the way men take advantage
of women. Her lousy attitude (i.e. she won’t put out) quickly
gets her into trouble with a wealthy government man.
She is rescued by Shinkuro,
a disgraced samurai and thief. Shinkuro, also enraged by the predatory
and shameful behavior of the rich, has hatched a scheme to rob the mint--not
just for money, but to teach a lesson. Ohyaku gladly joins him
and they are soon betrayed by an accomplice. Shinkuro is sentenced
to death and she is sent to a prison hellhole--a prison hellhole filled
only with men. Yeah, kinda sleazy huh? Settle down, she
manages to protect her virtue until she meets the lesbian tattoo artist.
(Hey, hey, she makes sure the tattoo is done first!)
Clever and devoid of pity,
Ohyaku patiently waits for alliances and opportunities which will bring
her closer to exacting her revenge. This is classic, simmering
retribution ending with a masterfully planned blood bath.
Synapse did a great job with
their remastered release. The sound quality is excellent, a real
effort was made to do some decent English subtitles, and the look of
the film is fairly crisp for an old black and white. While filled
with the standard formulaic plots you might expect from a revenge tale
populated by geisha and samurai, Ohyaku distinguishes itself
with strong acting, plenty of sexual teases and a final act of revenge
that truly would make a fine trap in the Saw franchise.
***
Jennie Milojevic