The
opening shows a man named Dead Eye Pete meeting his demise at the gallows
after living a remorseless life of crime that included rape, robbery
and murder. Soon after the credits the film takes place in modern New
York City and introduces the main character Rapturious while he waits
for his meth dealer. While he is sitting at the bar waiting for his
fix he passes the time doing his day trade…writing rhymes. While he
is doing this there is a strange character next to him lighting up a
cigar. This man shows up throughout the film and from the very beginning
the viewer should sense something isn’t right. Soon the camera goes
off that man and introduces Louie Savage, Rapturious’s dealer. Louie
brings introduces Rapturious to a new drug called After Life and this
drug is just the beginning of his melt down.
Soon
Rapturious is losing focus while everything should be going fine for
him. He is moving 50,000 units a week and he has an upcoming movie based
off his life lined up but the drugs or something much deeper may be
getting in his way. He also had a brutal upbringing after his father
died and his mother gave him up for adoption only for him to be abused
sexually and physically. Still he had the world in his hands it seemed
until his world came crashing down on him.
There
is no doubt that this should satisfy fans of films with satanic imagery,
trippy hallucinations, conspiracy and even hip hop hilarity. The scenes
during his rap sessions with his entourage are flat out hysterical.
The guys in his crew balanced Rapturious’ more reserved personality.
His boys basically just have senseless banter about how the blunt knocked
Rapturious out and they get under the producer and engineers skin. I
found these scenes to be quite enjoyable but this is not an all out
hip hop film like “8 Mile”. The character is a rapper and that’s
it. I almost forgot the wannabe ganster stepping to Rapturious and his
crew for no apparent reason other than to show every level of haterism. This jokester even started out a rap like
“Damn I’ve been stressed since my grandmother passed”. This dude
killed me and this scene was written brilliantly and the acting by Rapturious’
crew was wisely plaid straight as they gazed at the battling clown in
disbelief.
The
story is about his illusions and the stark reality he feels when he
has them. He senses it is not just the drugs and soon he goes to his
producer Allen for some advice. Allen tells him to go to a shrink to
get some stuff off his mind and he gives in to the idea. This leads
to more confusion for Rapturious and the viewer on to what is happening
to his character. Still around this scene with the psychiatrist (Joe
Bob Briggs!) they connect the dots with the opening scene with Dead
Eye Pete. This scene takes place in hell and is shot with a lot of reds.
Also there is tons of male frontal nudity, naked fat women crying and
demonic creatures. Hell hasn’t looked so great on screen in some time.
The scene where Dead Eye Pete escapes hell through a vaginal portal
was inventive and astonishing. I give credit to Kamal Ahmed for making
such a visually stunning scene much more than just artsy. It was creative
and comprehensive so that was refreshing instead of seeing someone bring
their inner David Lynch out.
From
here there are some killing sprees, near suicides and even some possible
satanic police corruption. The film has a fair amount of gore done by
Scott Fields and Damien Leone and the storytelling with the cinematography
was not only memorable, it also captured the torment of the lead actor
while showing some incredible imagery that is missing from a lot of
films today. I didn’t see one ounce of CGI in this film. When there
were gun shots, there were squibs. When a chick gets stabbed in the
neck, it was a practical effect. Nowadays CGI is an excuse to wrap up
scenes quicker and Kamel Ahmed didn’t go that route with this film.
From the beginning of the film I was drawn into the main character and
a lot of that has to do with Rober Oppel’s ability as an actor. He
was believable as a rapper and even displays ability in spoken word
poetry. He had a real down to earth vibe on screen and expressed all
of his emotions honestly. At times he had to throw diva like tantrums
and at other times he seemed frightened. He ran with a gamut of emotions
and as a viewer I sensed his passion as an actor while being magnified
to his character. He could have made a cartoon out of his hip hop character
but I felt he gave Rapturious legitimacy.
In
closing I laughed, I was impressed with the technical aspects like the
camera work and the make up. The creature design of the Devil was top
notch as well as the before mentioned demons. Debbie Rochon shows up
for more than a few scenes and does a wonderful job as Rapturious tenacious
manager. She also has an incredible scene showing her goods like it’s
still her good old days at Troma. No bullshitting the gore in this scene
is disgustingly perverse and a visual treat. There are nightmares, hell,
delusions, deaths, random racist rants and much more in what I believe
to be the best movie dealing with hell or satan in twenty years.
Artie
Lange was on board as Executive Producer and after his hilarious and
far from PC softball comedy "Beer League",he scores another winner. Kamal Ahmed has
made a horror film that delivers in every possible category and should
keep fans of horror and film in general anticipating what he has up
his sleeve next. TLA/Releasing will be releasing this on October 2.
Rating - ***1/2
-Russ Rutter