Sebastien, a young laborer,
is repairing the roof of a mysterious and ill man. Coming from
a poor family, he is intent on completing this job and perhaps getting
an advance on his salary to help out at home. Through holes in
the roof, he is able to catch snippets of conversation that help explain
the tension around this strange home. His employer, Jean Francois,
is agitated about obtaining money from an unknown job. He doesn’t
know if he will be able to complete this job, but if he can, in just
one day he will earn a large, but unspecified amount. He’s just
waiting to be summoned. Everything is sneaky and suspicious—even
his own wife seems to spy on him.
Outside the home, another man
sits with a camera, making careful note of all he sees. He is
particularly excited when a striped envelope arrives. In it, there
is a train ticket and a reservation for a hotel in Paris. In a
mere trick of fate, this envelope accidentally ends up mixed in with
Sebastien’s tools. Desperate for money, Sebastien decides to
go, but he has no idea what he is getting into.
The audience is as clueless
as Sebastien. He doesn’t seem to notice that he is being followed
and watched the whole time, but that is our only advantage. Upon
his arrival at the hotel, he receives a phone call directing him to
a train station locker. He is instructed to use the train ticket
inside, but to get off at the stop just before. He also finds
a mysterious card and some cash. After he gets off the train,
he embarks on a long trip designed to evade anyone following him.
The tension slowly builds and each new car ride, each new destination,
provides no new information, but plenty of discomfort.
At the same time, we discover
that the police are involved. They had been watching Jean Francois
and they are desperate to find out exactly where Sebastien was going.
They hunt down his first driver, but to no avail. By nightfall,
Sebastien arrives at his final location, large country estate.
Sebastien is led to a room on the second floor, only the men inside
do not recognize him. They know he isn’t supposed to be there,
but it doesn’t matter. They fear the cops, but there is too
much at stake. Sebastien cannot leave. He must stay and
play the game.
13 Tzameti is a gem of psychological
tension and dread. Shot entirely in black and white, this film
is stark and suspenseful. Revelation of detail is expertly handled.
The acting is top notch. Dialogue is kept short and direct and
every actor involved possesses a real mastery of facial expressions
and body language. This plot has some real weight to it, but it
is the acting that propels each scene forward.
The less you know about this
intense French thriller before viewing, the better. Don’t even watch
a trailer. I had no idea what was going to happen, only that each
tiny piece of information I discovered led me to believe it couldn’t
possibly be good. This practically unbearable ignorance is well
rewarded. I was completely sucked in and mesmerized—relieved
that I finally knew the big secret, but only momentarily. Then
it’s time to deal with the shocking ramifications.
****
Jennie Milojevic