A man named Kowalski is really
determined to deliver the 1970 Dodge Challenger to San Francisco in
this classic from the early 70s. The story starts off with Kowalski
delivering a car to his Denver contact that tells him to take a couple
of days off. Kowalski brushes him off and picks up his next delivery,
which is a beautiful super charged 1970 Dodge Challenger. Off
he goes, stopping long enough to pick up some uppers from a drug dealer
whom he then bets that he can make the drive to San Francisco in 15
hours. Things go well until a couple of motorcycle cops try to
pull him over and he runs them off of the road. Of course this
irritates the state highway patrol so they send out a bulletin and begin
coordinating resources to track him down. This is where we meet
up with the other main character in Vanishing Point, Super Soul the
radio DJ. He picks up the bulletin and starts to talk right to
Kowalski over the radio show. The rest of the movie is Kowalski
trying to avoid the cops while running into all sorts of interesting
people in the desert between Colorado and California. It is thru
these encounters and several flashbacks that we get to know Kowalski
and start to understand that there is more to him than just speed (both
the drugs and the car!). As Super Soul points out Kowalski may
be the last free man on the road. Do does he make to San Francisco
or does the man take him down? It is well worth a viewing to find
out.
Let me start off the review
with a warning. I’m a huge car guy, especially muscle cars from
the 60s and early 70s. So any movie that has a muscle car as a
major character is going to automatically appeal to me. But there
is so much more to Vanishing Point than just the car chases and stunts.
If you really pay attention to the people that Kowalski meets and the
flashbacks of his life you will see a man who is disconnected with life
and is just looking to cross over that next horizon to see what is there.
The direction on this film is brilliant and allows the story to come
to the audience without beating them over the head with a lot of dialog
or exposition. Even the flashbacks to Kowalski’s past are just
enough to begin to understand where he is coming from, without feeling
the need to explain too much. This story may seem a bit dated
as it really is a commentary on the 60s and the lost hope but it is
still very effective. In fact I consider this to be a much superior
film in this respect than the much better known Easy Rider. The
cast does all right with what is honestly a very thin script when to
comes to traditional story and dialog. But this really isn’t
an actor’s film and to be truthful the car gets more screen time than
most of the cast. The car chases in the movie are well done, but
may feel a bit small in scale to a modern audience. Overall the
technical aspects of this film aren’t as important to what it is.
Vanishing Point captures the feeling of an entire decade and maybe a
generation and wraps it into an entertaining package that is fun and
serious at the same time.
I highly recommend this movie.
You can’t consider yourself a true fan of the grindhouse/drive-in
scene if you haven’t at least seen Vanishing Point. It is a
true classic of the genre.
Rating - ****
-John "El Juan" Shatzer